*Disclaimer – I was given a copy of this book in exchange for an honest review.*
I’m drowning in blood.
My brain screams. My feet sprint beneath me, but I go nowhere. I’m paddling, flailing, in a red stew that burns my eyes like an over-chlorinated YMCA pool.
Chemicals. Fuck. I’m breathing chemicals.
My arms slam something hard and cold. I’m inside a box, or a closet, or a cage. It’s curved and smooth. Glass. Thick glass. I’m trapped in a bowl like some stupid tropical fish in an orthodontist’s waiting room. My feet scrape against the floor. It’s grilled. A vent. Or a cheese grater.
I scream, then gag. Something is lodged deep inside my throat. A long, leathery finger stretches past my tongue and worms deep into my airway. It’s a snake. Shit. There’s a snake in my esophagus. I claw and grab at the thing. It slithers in my hands as its rubbery body worms across my windpipe. Its head hisses and flails deep inside my lungs. I keep pulling, digging. Ten inches of rubbery hose spool out. I fling it away. It dances in the bloody murk, blowing a plume of bubbles from its tip. It’s a tube puffing air, a respirator – the very thing that’s been keeping me alive, and I just tore it out.
Great work, genius.
My lungs clench, begging for breath. The crimson liquid floods my mouth, coats my cheeks, clogs my nostrils. The foul liquid burns on my tongue. I wretch. It’s gasoline. I’ve siphoned it before. I remember a cousin getting me to do it. Or was it a brother?
Everything’s fuzzy. My thoughts are like a London fog. My memories…
Where the hell am I?
She wakes up in a tube, encased in liquid, drowning. No name, no memories, and apparently on a spaceship hurtling through space – and there are others too. But escaping the pods was only the beginning and there’s danger around every corner of the spaceship. Our protagonist and her rag tag new friends must survive the next few hours while trying desperately to figure out what is going on and who they can trust. And on top of that there’s someone else on the ship intent on killing them all.
Waking up with no memories and on a spaceship that you didn’t know could even exist is a fear that most people can relate to. For this novel, Nomad, it’s a reality for our merry bands of random young people and while there’s definitely horror and violence from the outset, our protagonist has the sense of humour to deal with it.
My one and only peeve for this novel, and I do understand why this was the case and it does help the story, it’s just a pet peeve of mine is – there are no chapter breaks. There are no breaks whatsoever bar one or two little star breaks. I imagine the reason for this is because there are no real time jumps until the sort of epilogue at the end, it’s just a continuous present moment narrative which keeps the pace fast and the action coming and the absence of breaks absolutely works for this, however I personally just like to have clear breaks where I can put the book down for a break particularly as I’ve never been a bookmark person. Works for the book, just not for my tastes.
Jamie Nash is a screenwriter for horror movies and family films, and this definitely comes across in the writing of Nomad, but rather than bring out you out of the novel medium, it keeps the break neck pace of the story. This is an exciting and enjoyable novel to read, but you can also see this working absolutely as a television series or even a movie. Yet, it isn’t all about action and visuals, there’s exposition and character development, there’s mystery and a spotted backstory that helps to merge novel with screenplay perfectly.
Our main character (who at one point christens herself Dorothy) is a funny, awkward, and brave protagonist who brings the reader through the story in her unique perspective. In the few hours of her life that you spend with her, she makes friends, loses friends, realises that not everyone can be a friend and is a likeable and comfortable character to head the story of Nomad. Her dark humour is a great contrast to the very real horrors that are happening around her.
Nomad is an adrenaline fueled sci-fi horror survival story of a woman trying to piece together her past on an alien spaceship. At a pace that will pull the skin off your skull, you’ll tear through this book.
About the Author –
(Taken from the book) Jamie Nash has written for films like V/H/S/2, Exists, Lovely Molly, and Altered. He’s worked on the Nickelodeon movies Tiny Christmas and Santa Hunters. He’s the author of the middle-grade book The 44 Rules of Amateur Sleuthing and the co-author of Bunk! He Lives in Ellicott City, MD. You can see more of Nash’s work on his website jamienash.net and can follow him on Twitter and Facebook.
Links to Buy and Review –
How do you feel about continuous time in stories? Do you need chapter breaks or some kind of breaks in the writing or are you fine with continuous prose? What is your favourite sci-fi horror story?