AFFIDAVIT FOR ADMISSION TO HORROR PLACE:
Horror Place offers an experience that is physically demanding. Therefore, you must be in excellent physical condition. If you have any medical conditions, illnesses, or pregnancy, you will not be allowed entry. The actors will touch you, but you are not allowed to touch the actors. You will also be filmed throughout the ordeal and you consent to these videos being publicly released. You may experience some mild injuries due to the nature of the experience. By signing your name, you understand and accept these conditions.
“I think you should do it,” said Jada, fixing her eyes on Asher.
Brianna looked at Asher sympathetically. “He should only do it if he really wants to. For himself. No one should pressure someone to do it.”
Jada glared at her. Brianna could almost read Jada’s mind and the words ‘stay out of my business, bitch’. She wondered why Jada was insistent that Asher experience Horror Place. She could tell that Jada’s willfulness dominated Asher’s insouciance. Perhaps that was the attraction for Asher, that forceful personality so unlike his own, compensating for something he thought he lacked. Now his motivation for Horror Place became clear to her. Brianna suspected it had not even been his idea. Jada was exciting to be around, no doubt about t. But with that excitement came a touch of danger. That also explained why Megan liked to hang out with Jada. The thrill of risk. Not the risk Brianna had undertaken when she tested herself at Horror Place with a purpose in mind, to make herself stronger, but the risk that hinted at transgression just for the sake of transgression, or simply out of boredom. Brianna’s initial goodwill toward Jada cooled. The girl was clearly trouble, and Brianna’s heart went out to Asher.
Jada repeated her statement, a little more quietly but with emphasis. “I think he should do it.”
When lives intersect things can get messy. This is no more apparent than in Jon O’Bergh’s novel The Shatter Point. In it, we are led through the lives of he slowly waning romance of Jada and Asher, brought together by their differences and slowly being worn down by them, the troubles of Asher’s band, ‘Lavender Lush’, and the calamity surrounding the newly constructed horror experience known as Horror Place and it’s neighbour’s in such a ‘nice’ neighbourhood. Lives and characters intersect, ghosts from the past are revived to haunt again, anxieties of the future are brought to bear on the present – but who will break first?
The Shatter Point is a slow burn of a dark thriller intermixed with paranormal and supernatural leanings, ghosts that appear only at the corner of the eyes. O’Bergh cleverly brings this suburban gothic into the twenty first century by blending social media with prose, present anxieties with recurring past traumas, and complex characters. Given that much of the plot is centered around Youtube videos and the glory that comes from impressing thousands of strangers online, or the shame of not impressing them, the story needed social media and the type of commenting that comes with it and O’Bergh was able to capture – usernames and all – the vitriol and one-upmanship that comes with it.
O’Bergh explores many themes, the most noteworthy being the pull of internet stardom and just how fickle audiences can be, failed masculinity as can be seen in many of the character’s need to prove themselves and the women who push them to it, absent fathers, and illusions. When the internet and social media command more of our attention than our own family and friends, how do you know what is real and what is not real? What is constructed for an audience and what is natural? O’Bergh weaves all of these themes through a narrative that works for the transition between characters though at times can be quite restrained. For a novel that deals so eloquently with the comments under Youtube videos, an update of the prose would not have gone amiss.
One thing I can say for The Shatter Point is that it has some twists and turns that I did not see coming. The violence that occurs in the book is inevitable and you can feel it coming for you from the first page like a rolling train, but when it does hit, you will not see where it came from. The shifting perspectives of the story keep it from becoming stale and each character stands on their own. From the manipulative relationship between Jada, Asher and their hanger on Brianna, to the carefully balanced lives that make up a neighbourhood where disrespecting one another’s roses can lead to deep rooted grudges. The Shatter Point smashes together social norms and requirements with our own need to prove ourselves and find out who we really are, and it does so in a sometimes subtle and sometimes unmistakable way.
I would recommend this book for anyone looking for an intriguing and modern urban thriller. The Shatter Point readily provides believable characters, complex relationships and twists that will leave your jaw on the floor.
About the Author:
Jon O’Bergh is an author and musician from Canada who loves a good scare. He has written two groundbreaking books which link music and stories: “Song of Fire,” a memoir about the role of music in our lives, and the short story collection “A Book of Hauntings.” With the publication of his first novel, “The Shatter Point,” he continues to link music and writing in a unique way. He also co-authored “Elliptical: The Music of Meshell Ndegeocello.”
Have you read ‘The Shatter Point’? Do you agree with the inclusion of social media and technology in modern fiction? What do you think is the right way to include them?
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