*Disclaimer: I received a free copy of this book in exchange for an honest review*
My book Kicking Prose was a collection of sad poems about girls and growing up and not knowing how, it is about how we are falling apart and making it seem like we have it together. This book, I think, is a continuation of that theme— how through everything as creators, we continue and create.
In the back alley of HOLLYWOOD lies SEQUELLAND, where directors and creatives get the chance to do what they love, not necessarily in the conditions that they love. Jay Slayton-Joslin, a writer and horror fan, experiencing his own existential crisis takes a direct approach exploring his childhood filled with direct to DVD horror sequels, interviewing those who created the sequels to iconic franchises feel upon looking back on them. The story of people who tried to do what they loved, filled with pride, regret, and resolution.It’s… SEQUELLAND: A STORY OF DREAMS AND SCREAMS.
Sequelland: A Story of Dreams and Screams takes a dive into the murky waters of horror movie sequels. Whether you hate them or love them, they aren’t going anywhere and between the movie makers who bend over backwards to please fans or the movie executives who go through script writers like toilet paper for one extra buck, there’s a lot more than fictional struggles to learn from here.
Slayton-Joslin asks pointed questions of the directors of sequels from Saw to The Leprechaun, from Carrie to Bloodrayne, delving into the unglamourous side of the movie making business. He speaks to directors who were pulled in after another director was kicked off a project, and directors who fought to get a title because they were such avid fans of the franchise themselves. Unlike with a fresh idea and screenplay, making a sequel has the added pressure of a lower budget, a higher expectation of return, a lore that must be abided by, giving the fans what they expect and yet still surprising them – the list goes on and so does the list of sequels that just don’t cut the mark.
Interspersed between these interviews, Slayton-Joslin takes a look at his own foray into a writing career. He examines his own expectations of what a story-telling career should look like and where he already feels like he has failed even before he’s fully started. There are writers and directors of all kinds who work on one project and stop there, and there are also those pigeon-holed into only making sequels, or unable to break into other genres because of the stigma of horror.
Slayton-Joslin ends the book on a hopeful note for all creative types – that there are as many paths as you are able to imagine in your story-telling mind, and there is no set track pulling you towards validation – you decide when you have succeeded and you decide what direction you want to go in if and when you do.
Sequelland: A Story of Dreams and Screams is a non-fiction horror book that gives insight into the opportunities and pitfalls of horror movie sequels – and how all creatives can learn from those who make them.
About the Author –
Jay Slayton-Joslin is the author of Sequelland: A Story of Dreams and Screams (Clash Books, 2020) and Kicking Prose (KUBOA, 2014). Jay graduated with a BA in American Literature with Creative Writing from the University of East Anglia and a MA in Creative Writing from the University of Surrey. He lives in Leeds, England.
Read and Review –